Contact The Evolving Bassist This edition will mark twenty-six years in publication, as the industry standard for bass method books. Through the years since this book was first published, Rufus began to feel that a major revision was needed. The fundamental material has been kept intact because classic concepts do not change. It is not just walking quarter notes.

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Contact The Evolving Bassist This edition will mark twenty-six years in publication, as the industry standard for bass method books. Through the years since this book was first published, Rufus began to feel that a major revision was needed. The fundamental material has been kept intact because classic concepts do not change. It is not just walking quarter notes. The individual creativity needs to be nurtured without diluting the job description of a jazz bassist.
My experience from performing and teaching has taught me that there were more things that needed to be addressed and stated more clearly. It now completes the concepts for developing upper thumb position technique which is essential to the musical palette of the contemporary bass player. Answers to frequently asked questions about amplification, equipment, electronic pickups, and microphones are also included.
This method book is an aid to help you help yourself now. It will also continue to be be your reference book as you and your playing mature through the years.
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Rufus Reid

Years ago, people could tell a bass player by your tenible looking hands. Perhaps it was rom neglect, but remember that there was little or no amplification and they played much harder lust to be heard. Much of the time they still did not succeed. The instrument should be wiped off each time you inish playing especially after using the bow. Rosin will lake ofi the bow and make a ilm on the instrument. Work in an area about two control without having to stop playing for even an inches in diameter. Put a little oil on the bass and instant to adjust the volume control on my amp.
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